Diggin' in the crates...
[vintage UtR] rethink: The Politics of Black Self Love
Diggin' in the crates...
Diggin' in the crates...
Trust me, I am not hiding anything in my art, my writing most specifically, any more than when it was layered in imagery. It is all there. Pause in the white space and you’ll see that you get it after all. Okay so maybe I would rather people not pause because that art is my heart and soul on Front Street
I am here to talk about silence. And the violence of it. How it traumatizes the body that practices it as well as the bodies it is imposed upon. I want to talk about how it (silence, I mean)—and I made up this word—invisibilizes. And how that act—to render someone, a body, invisible is violence. [...]
I'll be on a panel called "Written By Ourselves: The Craft of Immobile Corporeality" on Friday, April 1 at 12 noon (Rm. 51o of the L.A. Convention Center). Stop by and hear me talk about the lovers of Jonestown and how they use the stillness of intimacy in defiance of their circumstances in that Guyana [...]
Why, yes, another poem! **curtsies** This is from a chapbook-on-hard-drive known as Invitations Not To Be Denied. I'll show it to y'all one of these days, but for now... MY VIVID IMAGINATION PAINTS YOU, INSTEAD, GREY Your breath in the morning—sour milk like a baby we knew would never happen but dreamt library cards and [...]
I have the opportunity to travel to Denver, NYC, L.A. and Paris in the next two (2!) months to present my creative work and I couldn't be more excited or anxious--like anxiety anxious but in a good way-- and of course humbled. I can't go to all the conferences not only because three of the [...]
My first blog post ever. Happy 9 year blogiversary to me.
I had a Chinese pen pal when I was in middle school. Her penmanship was meticulous. I tried to imitate it. I think handwriting is the most organic yet undervalued art—the kind most of us are capable of and don’t even realize it. You can tell such an honest story with it. It doesn’t have the affectations of most of the art we see hanging on the hallowed walls of galleries and museums. Words can be like that too.
My friend and I were joking that there are words among Black folk that are organically perfect. They just happen. In the process of just happening, they are honest and direct. And beautiful. Like when your grandmother asks you for “some sugar.” It’s sweet; it’s musical. And she warns you not to get on “that stuff.” Her directive is just as illustrative as…
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He took sex instead of your life; maybe the glass bottle he threw at you missed; you were named “bitch” and any other list of monikers that do not appear on your birth certificate; the old woman turned on the porch light and startled him and his pistol away; he left you in the street alone and lost in a city that was not your own. You made it out alive. None of those were missteps of the fragile male ego or drunkenness. They were not about how you lead him on or were rude or rash when you refused to comply to his demand for your attention. They were about the agency you have over your life and how you live it and being denied that agency so often
fellowship/publication submissions: 2 fellowship/publication acceptances: 1 fellowship/publication rejections: 4
We know that the rules of engagement; the strategies for survival that Baldwin and Johnson try to outline are flimsy at best.