the lankiest one, voice on the verge of collecting crushes, is making himself up as he goes, a danger my dad’s admonitions cannot prepare him for; will justify the conflation of boy to body. Real Enough is real enough.
Revisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora. Scores of contemporary writers have turned to elegiac poetry and prose in order to militate against the white supremacist logic that has led to recent deaths of unarmed black men, women, and children. This volume combines scholarly and creative understandings of the elegy in order to discern how mourning feeds our political awareness in this dystopian time as writers attempt to see, hear, and say something in relation to the bodies of the dead as well as to living readers.
He explains that he understands compliance intimately by sharing this story: as younger men he and friends were stopped and robbed by police. Their choice, he suggests, to face the wall, hands up as told and accept the stick up, saved their lives.
So what if the mission of those profiting from Black Death porn is to accomplish their stated mission: to remind The State (of mind) that Black and Brown lives should be recognized and treated as actual lives? What if The State (of mind) changed as a result of their activism? The Black Death porn market would be diminished, right? No demand so no need for a supply. No supply no profit.
So another what if--what if Black Death porn proliferates in order to keep this market going?
There are few, if any, choices a black body can make that do not speak its history, including the requisite traumas and proud triumphs over them. Under the gaze of the status quo, this body, with its history written all over it, is an indictment of the status quo. Erasing that physical body becomes critical to sustaining not just the aesthetic of the status quo but more importantly its structure.
Erasure is not necessarily the literal murder of it, though that is one way to erase it, but more typically, the suppression of it. Suppression often comes in the form of assimilating the black body into the status quo.
I am here to talk about silence. And the violence of it. How it traumatizes the body that practices it as well as the bodies it is imposed upon. I want to talk about how it (silence, I mean)—and I made up this word—invisibilizes. And how that act—to render someone, a body, invisible is violence. [...]