Who’s Loving You

We have a social contract in which our measuring stick for harm is familiarity and this contract puts us all at risk. Communities divest from perceived offenders (part of the premise of prisons) until and unless we perceive the offenders, not as offenders but as homies and relatives; dates or partners; familiars. Though they may have harmed or admitted to harming or being party to harm, to call them out is disruptive or shameful to the community unit, so we don’t name them offenders and absorb the harm, effectively normalizing it.

Art For My Heart

The disease has damaged my heart, but it doesn’t have to do any more damage if I can get proper treatment. Of course, proper treatment is expensive...
I need help, but since I don’t believe in getting or asking for something for nothing, for (and with) my heart, I propose the following exchange.

Without Rock or Shore

I've been trying to ignore the tug in my gut that has persisted since I first read about this story yesterday. It was the stark inhumanity of it for sure; the sheer violence; the unchecked toxic masculinity; the questions about how is it that the ability to find a jersey is easier than locating a publicly; pinging-off-cell-phone-towers [...]

Tune In!

Remember those posts: I am a miracle (that's my story and I'm sticking to it). and Didn't Yesterday say you couldn't yet you did? Mrs. Burke read them and thought they were worth sharing. So I'll be sharing them. On November 16th at 6 on the radio (in my Donna Summer voice). Tune in!

Didn’t Yesterday say you couldn’t yet you did?

So there we were living our happily ever after when our communication kept getting interrupted. The signal was poor. Eventually our conversations were curt and stilted—we probably secretly blamed each other for the poor signal. Turns out we were both wrong. (As far as doctors have so far surmised. This is idiopathic—without known cause).

Body Talk

The training, racing, and creative process...is a triumph over the physical and psychic conditions just outside the parameters of control which would censor and stilt performance.

The Woman With the Shit Eating Smile

Look, we all perform ourselves; the version of ourselves we choose to present to the world is a performance. Hers seemed a performance of the worst kind—poorly played (she ain’t e’en have her script straight) and manipulative; the kind that seeks gain for itself at the expense of others.