Revisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora. Scores of contemporary writers have turned to elegiac poetry and prose in order to militate against the white supremacist logic that has led to recent deaths of unarmed black men, women, and children. This volume combines scholarly and creative understandings of the elegy in order to discern how mourning feeds our political awareness in this dystopian time as writers attempt to see, hear, and say something in relation to the bodies of the dead as well as to living readers.
Good folks, give thanks--she is here! Follow her on Twitter @blmelegy and bookmark her website https://revisitingtheelegy.org/ to keep up with her travels now that she's entered the world! Please love up on her--order, share, review, invite her to your classroom, library, reading group, home, bookstore. She's so ready. xoxo
I don’t think there is anyone who doesn’t want to belong to something or somebody. Not ownership belong to but be a part of belong to. Even me. I say even me because I’m a natural, albeit ironic, loner. Ironic because I’m a twin and we make two of five sisters. Ironic still because there [...]
The disease has damaged my heart, but it doesn’t have to do any more damage if I can get proper treatment. Of course, proper treatment is expensive... I need help, but since I don’t believe in getting or asking for something for nothing, for (and with) my heart, I propose the following exchange.
There is no excerpt because this is a protected post.
"Don’t misunderstand me. I believe in the power of poetry to heal and change but sometimes I am so tired of the atrocities in the world. One book of poems is just not enough. How do we make the blues go away. I want to write poems that incite, inspire a better world."
"A good girl: bright, perhaps a bit of an introvert, perhaps not romantically pursued or interested in the pursuit for these reasons. Of course, these traits are likely not all she is, but when she is told that her brownness negates her goodness, she must determine how to be herself—all of herself—anyway. Tropism is the biological phenomenon that describes how she does it. In tropism, external agents determine the direction of an organism’s growth. For better or worse, it is often external agents that show a good girl of color how to grow into herself; they determine what she will look like and how she will act."
2017 has been life affirming. I haven't taken y'all on the cardiomyopathy carousel much this year because technically it's all rather new; a little up and down like the carousel horsies; a little boring as incremental change can be; and more than anything for all my say-it-anyway-you-can banner waving, ummm, I'd rather not. Besides, I am so, so Here. And other people that were in my brand of canoe don't always get to say that. So, about being Here. That good girl project has been doing big things this year!
Check out the full interview at 150FranklinGallery.com. Show opens October 6th (5 p.m.) at the 150 Franklin Street Gallery in Harrisonburg, VA with an artist talk at 6:30! See you there!
What is white space that is not a canvas; offering agency and every possibility to whomever confronts it? It’s quiet and patient; generous; never pompous and clearly not greedy. It lets you shine against it.